A Penélope Cruz Top Ten

by Cláudio Alves

The Merry Month of May is upon us, but first, there's still some April business to attend. Specifically, Penélope Cruz turned fifty last weekend and celebrated a big party that included such names as husband Javier Bardem, auteur par excellence Pedro Almodóvar, former scene partner Salma Hayek, and many more. Happy belated birthday to the Spanish star! 

Here, at The Film Experience, the best way to mark such occasions is surrendering to list-mania, so let's consider this Oscar winner's extensive filmography and sing her praises. Excluding TV and with honorable mentions woven into the write-ups, here are my top ten favorite performances from Penélope Cruz…

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Cannes 2024: Lily Gladstone joins Greta Gerwig's Jury

by Cláudio Alves

Lily Gladstone is one of the eight jurors who have just been announced for the Cannes Main Competition. After success at last year's festival with Killers of the Flower Moon, the Oscar nominee feels like a logical choice. Indeed, most of the jury comprises artists who have found acclaim at the Croisette. There's a former Palme winner, a Jury Prize victor, the co-writer of a Palme d'Or recipient, stars of various pictures that have screened there, and more. All things considered, Greta Gerwig is probably the least familiar with Cannes red carpets and the screen of the Lumière. But after three solo directorial credits of such cultural prominence, it's easy to see why she's this year's Jury President.

Here's the complete Main Competition Jury for the 74th Cannes Film Festival...

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TCM Film Fest: Romantic Couples - The Shop Around the Corner, Send Me No Flowers & Lady Sings the Blues

by Christopher James

Billy Dee Williams was present at a screening of Lady Sings the Blues for a Q&A as part of a tribute to him at the TCM Film Festival.It wouldn’t be a trip to the TCM Film Festival if I didn’t catch some of the great romances of yesteryear.

In particular, the enemies to lovers romantic comedy troupe was alive and well. Ernst Lubitsch’s The Shop Around the Corner provides the foundation for this trope. Decades later, Doris Day and Rock Hudson would use this dynamic to great success in many collaborations, including the bonkers comedy Send Me No Flowers. Romance isn’t all fun and games though. The Billie Holliday biopic Lady Sings the Blues borrows less from the biopic genre and focuses more on the troubled relationship between Holliday (Diana Ross) and Louis McKay (Billy Dee Williams, an honoree at this year’s festival).

Did all these pairs sell us on their celluloid love? Find out after the jump...

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April Foolish Predictions: Best Supporting Actor

by Nathaniel R

Samuel L Jackson was Tony-nominated for The Piano Lesson on Broadway. Will the transfer result in another Oscar nomination?

It's the last four days of April Foolish Predcitions and, thus, time for the acting categories. A year out nobody knows anything, particularly in regards to the supporting categories since they're less dependent on juicy obvious-from-a-distance leading roles and far more dependent on things you can't really know in advance like who will "steal" the movie, how large their supporting roles will be, and whether they'll film will have enough heat to ignite their campaigns. This is when it's most fun, especially in the supporting categories where you can imagine almost anything happen. By the time the televised awards roll around each year there is zero drama in Best Supporting Actor (though we infrequenely see some in Best Supporting Actress).

Last year's lopsided contest was the Robert vs Ryan showdown with two full blown movie stars competing for the supporting gold, one leaning into a career achievement narrative while the other was content to ride his film's pink zeitgeist wave rather than worry about the gold...

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Review: "Nowhere Special" finds hope in desolation

by Cláudio Alves

Windows can be like prosceniums, framing lives in tableaus practically begging to be spied upon. As one roams through the streets, one can peer into countless little dramas, comedies and farces. It's all there, the vitality of existence through a thin pane of glass. Uberto Pasolini's Nowhere Special starts with windows, a parade of frames and reflections captured by Romanian cinematographer Marius Panduru – you might be familiar with his work in Radu Jude's films. It's a beautiful prelude, bursting with quiet curiosity, as if the camera is considering which story it'll follow. However, this particular tale isn't to be found within, but without. It's the experience of the man who keeps those proscenium portals crystal clear.

He's John, a single father earning a living as a window cleaner. He's also dying…

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